PERANCANGAN BUSANA READY-TO-WEAR DELUXE WANITA DENGAN KONSEP KESETARAAN GENDER MENGGUNAKAN SURFACE DESIGN EMBROIDERY
Main Article Content
Abstract
Different perspectives and ways of thinking about culture and beliefs can be a source of gender issues in society. According to historical records, most societies in the past still adhere to a patriarchal culture, which places men as the main power holder and treats women as weak people who have no power. Some communities still adhere to this culture today. This research aims to represent gender equality and women empowerment through the design of women's deluxe ready-to-wear clothing using surface design embroidery. The qualitative research method was conducted by interviewing 6 fashion experts and 12 extreme users, as well as journals, news, and online observations as secondary data collection. The design method used is the design thinking method with the stages of empathize, define, ideate, prototype, to test, which is a guide so that the design results are in accordance with the initial concept. The result of this design consisted of 5 sets of deluxe ready-to-wear clothing that combined structure, feminine, and revealing elements with the main materials of semi wool, tweed, and chiffon and the application of surface design embroidery exploration with an unfinished impression to convey gender equality and women empowerment issues. This collection is aimed at women fashion enthusiasts aged 20 - 35 who value uniqueness and quality, prioritize trend and style, and have middle to upper class status. Through the application of surface design embroidery on clothing, it is hoped that it can be a solution in building public awareness about gender equality and women empowerment.
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Akdemir, N. (2018). Deconstruction of Gender Stereotypes Through Fashion. European Journal of Social Sciences Education and Research, 5(2), 185. https://doi.org/10.26417/ejser.v5i2.p185-190
Alfonseca, K. (2023). The Feminist Movement Has Changed Drastically. Here’s What The Movement Looks Like Today. ABC News. Diakses melalui https://abcnews.go.com/US/examining-modern-feminism-wave-now/story?id=97617121
Anderson, B. (2016). Fashion Terms Defined: Styles of Dresses. The Style Bouquet. Diakses melalui https://www.thestylebouquet.com/2019/05/21/fashion-terms-defined-styles-of-dress/
Arquilla, M. (2023). Sex and Gender: What is the Difference? MedicalNewsToday. Diakses melalui https://www.medicalnewstoday.com/articles/232363
Danziger, P. (2023). Windsor Taps An Evergreen Opportunity Dressing Women For Special Occasions Year Round. Forbes. Diakses melalui https://www.forbes.com/sites/pamdanziger/2023/01/31/windsor-taps-an-evergreen-market-opportunity-dressing-women-for-special-occasions-year-round/?sh=79544c483287
Dilli, S., Carmichael, S. G., & Rijpma, A. (2019). Introducing the Historical Gender Equality Index. Feminist Economics, 25(1), 31–57. https://doi.org/10.1080/13545701.2018.1442582
Enrico, Lautama, C., & Pratomo, E. R. (2022). Perancangan Motif Tekstil Kontemporer Berbasis Isu Budaya Populer dengan Prinsip Localism. Jurnal Narada. http://dx.doi.org/10.22441/narada.2022.v9.i2.001
Exporter. (2022). Explore The Many Types of Fashion Designing. ISDI.IN. Diakses melalui https://isdi.in/blog/types-of-fashion-designing/
Foley, B. (2020). Dior Couture Spring 2020. WWD. Diakses melalui https://wwd.com/runway/spring-couture-2020/paris/christian-dior/review/
García-Madrid, A. (2024). Blurring Reality and Blurring Gender: Fashion and Attire in Virginia Woolf’s Orlando. Anglia - Zeitschrift Für Englische Philologie, 142(1), 102-117. https://doi.org/10.1515/ang-2024-0008
Githapradana, D. M. W. (2022). Aesthetics and Symbolic Meaning of Androgynousand Co-ed Style Trends in Men’s Fashion. Humaniora, 13(1), 23-32. https://doi.org/10.21512/humaniora.v13i1.73
Husnunnisa, I. (2022). Apa itu Design Thinking? Ini Penerapan dan Manfaatnya Bagi Perusahaan. Ruang Kerja. Diakses melalui https://www.ruangkerja.id/blog/design-thinking
Mike, U. (2020). Causes of Gender Inequality. HubPages. Diakses melalui https://discover.hubpages.com/education/Causes-of-Gender-Inequality
Michael, M. (2018). Sexism in Colors – Why is Pink for Girls and Blue for Boys? UMKC. Diakses melalui https://info.umkc.edu/womenc/2018/06/25/8369/
Sulistyowati, Y. (2020). Kesetaraan Gender dalam Lingkup Pendidikan dan Tata Sosial. IJouGS: Indonesian Journal of Gender Studies. https://doi.org/10.21154/ijougs.v1i2.2317
Umam. (2023). Pengertian Patriarki dan Struktur Ideologinya. Gramedia Literasi. Diakses melalui https://www.gramedia.com/literasi/pengertian-patriarki/
NN. (2022). Feminisme Adalah Gerakan Perempuan Demi Kesetaraan, Ini Sejarah dan Fakta-Faktanya. Liputan6. Diakses melalui https://www.liputan6.com/hot/read/5165121/feminisme-adalah-gerakan-perempuan-demi-kesetaraan-ini-sejarah-dan-fakta-faktanya
Khaerunnisa, R. (2021). Peggy Hartanto dan Telusur di Balik “DNA” Rancangan Busana. Antara News. Diakses melalui https://www.antaranews.com/berita/2351286/peggy-hartanto-dan-telusur-di-balik-dna-rancangan-busana
Khan, T. (2022). Different Type of Fashion Designs Explained. IIFT Bangalore. Diakses melalui https://www.iiftbangalore.com/blog/different-types-of-fashion-designs-explained/
Khansa, S. (2020). Fashion Ready To Wear Deluxe Lebih Bervariasi Desain Konstruksinya, Tetapi Rumit Terapkan Teknik Ini. Mudanesia. Diakses melalui https://mudanesia.pikiran-rakyat.com/pop-culture/pr-134994025/fashion-ready-to-wear-deluxe-lebih-bervariasi-desain-konstruksinya-tetapi-rumit-terapkan-teknik-ini?page=all
Kiron, M. (2020). Different Types of Fashion Categories for Dress Design. Textile Learner. Diakses melalui https://textilelearner.net/types-of-fashion-categories-to-dress-design/#google_vignette
Marlianti, M. Handayani, W. (2016). Teknik-teknik Surface Design untuk Aplikasi tata Busana dan Kostum. Institut Seni Indonesia. Diakses melalui https://opac.isi.ac.id/index.php?p=show_detail&id=35564#gsc.tab=0
McNab, S. (2020). What is Surface Design? Shannon McNab. Diakses melalui https://shannonmcnab.com/blog/2016/8/2/what-is-surface-design
Millington, R. (2020). 6 Contemporary Feminist Artist Active Today. RiseArt. Diakses melalui https://www.riseart.com/article/2339/art-collections-6-women-at-the-forefront-of-feminist-art-today
Nanda, S. (2023). Metode Penelitian Kualitatif: Pengertian, Tujuan, Ciri, Jenis & Contoh. Brain Academy. Diakses melalui https://www.brainacademy.id/blog/metode-penelitian-kualitatif
NastyGal. (2023). Women’s Clothes. Nasty Gal. Diakses melalui https://www.nastygal.co.uk/categories/womens-collections-summer
NN. (2023). Nasty Gal. Boohoo Group PLC. Diakses melalui https://www.boohooplc.com/brands/nastygal.htm
NN. (2023). How to Dress for a Special Occasion: Tips & Outfit Ideas. FAVERIE. Diakses melalui https://www.faverie.com/magazine/how-to-dress-for-a-special-occasion/
NN. (2021). Exploring Gender Inequality: What is feminism? Future Learn. Diakses melalui https://www.futurelearn.com/info/blog/what-is-feminism
Ogunyemi, S. Adisa, A. Adenuga, A. (2020). Justice development and peace commission (jdpc) on women empowerment. journal of gender and power, 13(1), 83-97. https://doi.org/10.2478/jgp-2020-0005
Patience, A. (2021). 5 Ways Feminism is Making a Mark in the Fashion Industry. TOTM. Diakses melalui https://www.totm.com/5-ways-feminism-is-making-a-mark-in-the-fashion-industry-2/
Putri, V. Nailufar, N. (2021). Teknik Dasar Menyulam. Kompas. Diakses melalui https://www.kompas.com/skola/read/2021/01/25/180959669/teknik-dasar-menyulam
Qothrunnada, K. (2021). 7 Prinsip Dasar Desain Grafis Lengkap dengan Unsur-Unsurnya. Detik. Diakses melalui https://www.detik.com/edu/detikpedia/d-5838921/7-prinsip-dasar-desain-grafis-lengkap-dengan-unsur-unsurnya
Rosyanda, I. (2021). 7 Elemen Dasar Desain Grafis yang Wajib Dipahami. Kompasiana. Diakses melalui https://www.kompasiana.com/irfanrosyada/6079ac46d541df47ac07f462/7-elemen-dasar-desain-grafis-yang-wajib-dipahami
Seymour, E. (2023). 6 Best Embroidery Machines in 2024, According to Sewing Experts. Good Housekeeping. Diakses melalui https://www.goodhousekeeping.com/home-products/g37220559/best-embroidery-machines/
Sukardi, M. (2017). Maskulin dan Feminin Dipertemukan Yosafat Dwi Kurniawan dalam Koleksinya yang Bergaris Tegas. Okezone. Diakses melalui https://lifestyle.okezone.com/read/2017/10/24/194/1801659/maskulin-dan-feminin-dipertemukan-yosafat-dwi-kurniawan-dalam-koleksinya-yang-bergaris-tegas
Tabassum, M. Begum, N. Rana, M. Faruk, M. Miah, M. (2019). Factors Influencing Women’s Empowerment in Bangladesh. Science Technology & Public Policy, 3(1), 1. https://doi.org/10.11648/j.stpp.20190301.11
Tasim, C. (2022). Mengulas 7 Elemen Desain Grafis. Toffeedev. Diakses melalui https://toffeedev.com/blog/design/elemen-desain-grafis/
UN. (2023). SDG Goal 5: Achieve Gender Equality and Empower All Women and Girls. United Nations. Diakses melalui https://sdgs.un.org/goals/goal5
Walker-Andrews, L. (2022). Emma Watson., 1-5. https://doi.org/10.4018/978-1-6684-2490-2.ch001
Wamsley, L. (2021). A Guide To Gender Identity Terms. NPR. Diakses melalui https://www.npr.org/2021/06/02/996319297/gender-identity-pronouns-expression-guide-lgbtq
Wasserman, V. (2023). Fashion as Embodied Resistance: The Case of Jewish Ultraorthodox Female Entrepreneurs. Gender Work and Organization, 31(2), 535-553. https://doi.org/10.1111/gwao.13093
Windy. (2023). Tampil Lebih Maskulin dengan Celana Kain. Mitra Mulia Textile. Diakses melalui https://mitramulia.com/blog/public/C_detailProduct/viewProduct/618/Tampil-Lebih-Maskulin-dengan-Celana-Kain

