The Vintage Waves: Generation Z Style Perception in Indonesia
Main Article Content
Abstract
This research project is primarily dedicated to comprehension of individuals’ perspectives on vintage fashion styles. In the contemporary era, vintage fashion has not only emerged as a substantial trend within the fashion industry but has also captured the interest of numerous individuals who are drawn to clothing and accessories reflecting elements from bygone eras. Employing a quantitative research methodology and utilizing the semantic differential approach, the study endeavors to quantify and understand consumers’ perceptions of products embodying vintage styles. Furthermore, the investigation seeks to discern the various factors that contribute to shaping individuals’ perceptions of vintage fashion, including the influences of prevailing fashion trends and cultural elements. The significance of acquiring an in-depth understanding of the intricate nature of perceptions surrounding vintage fashion within the broader fashion landscape holds considerable potential for elucidating how individuals engage with the historical dimensions of fashion. Despite the scarcity of research focus on this particular phenomenon, this study is prompted by the imperative to scrutinize the factors that impact consumer interest and comprehension of fashion trends in Indonesia, employing constructed perceptions as a framework. Consequently, the research aims to address and bridge existing knowledge gaps, aspiring to provide a more profound and nuanced understanding of the role that vintage fashion plays in the Indonesian fashion industry and its consequential impact on individual perceptions. In conclusion, Generation Z exhibits a well-rounded knowledge of vintage- style fashion, understanding distinctive characteristics like silhouettes, colors, and era-specific motifs. They possess awareness of specific years, recognize brands, and differentiate vintage fashion from new products.
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Brothman, B. (2001): The Past That Archives Keep: Memory, History, and the Preservation of Archival Records. Archivaria, 51, 48-80.
Brown, S., Kozinets, R.V., and Sherry Jr, J. (2003): Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning. The Journal of Marketing 67(3): 19–33.
Creswell, J. W. (2014): Research design: qualitative, quantitative, and mixed methods approaches. 4th ed. Thousand Oaks, California, SAGE Publications.
Cornett, J.E. (2017), What is Considered Vintage Clothing?.https://www.leaf.tv/articles/what-is- considered-vintage-clothing/.(20 September 2023).
DeLong, M., Heinemann, B., and Reiley, R. (2005): Hooked on Vintage. Fashion Theory 9(1): 23–42.
Frings, G. (2013): Fashion: From Concept to Consumer. In Fashion. Pearson Education UK
Gerval, O. (2008): Fashion: Concept to Catwalk. Bloomsbury, London.
Jenß, H. (2004): Dressed in History: Retro Styles and the Construction of Authenticity in Youth Culture, Fashion Theory 8(4): 387–404.
Koontz, A. (2010): Constructing Authenticity: A Review of Trends and Influences in the Process of Authentication in Consumption. Sociology Compass 4(11): 977–88.
Mortara, A. and Ironico, S. (2011): Ethical fashion shoppers: beyond the hedonic/utilitarian motivations dichotomy; An exploratory research. Proceedings of the Congresso de moda ethica.
Ratuannisa, T. (2021): Perubahan Gaya Busana dalam Perkembangan Tren Fashion di Indonesia pada Tahun 2010-2019,Disertasi Program Doktor, Institut Teknologi Bandung.
Sproles, G.B., and Burns, L.D. (1994): Changing Appearances: Understanding Dress in Contemporary Society. Fairchild Publications.
Suciati. (2016): Psikologi Komunikasi Sebuah Tinjauan Teoritis dan Perspektif Islam. Yogyakarta: Buku Litera.
Turner, B. (1987): “A Note on Nostalgia” Theory, Culture & Society 4(1): 147–56.

