Perancangan Busana Ready-to-Wear dengan Konsep Recycled Fashion dengan Teknik Tie Dye
Main Article Content
Abstract
Recycled fashion is a sustainable way to recycle waste resources and solve global pollution problems. This process has attracted worldwide attention to partially solve the problem of discarding used clothing and dead stock of clothing. This final work utilizes sale stock from department store. The products on sale are products that are no longer of interest to buyers. In increasing the selling value of the product, the tie dye technique is used. This ready-to-wear collection is intended for men aged 20-30 years for casual use. This collection consists of 4 looks with oversized silhouettes. This collection shows that creative product designs from recycled fashion contribute to a sustainable and green environment.
Article Details

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
References
Allende, N. (2022, Januari 26). One of a Kind Sustainability: What Are Deadstock Fabrics? https://www.fabricsight.com/blogs/posts/one-of-a-kind-sustainability-what-are-deadstock-fabrics
Aus, R., Moora, H., Vihma, M., Unt, R., Kiisa, M., & Kapur, S. (2021). Designing for circular fashion: Integrating upcycling into conventional garment manufacturing processes. Fashion and Textiles, 8(1), 34. https://doi.org/10.1186/s40691-021-00262-9
Belfer, N. (2012). Batik and Tie Dye Techniques (3rd Recised ed.). Dover Publications.
Bhogaita, V. (2022, Mei 24). THE RISE OF RECYCLED FASHION [Retail]. Pomp Store. https://pomp.store/blogs/journal/rise-of-recycled-clothing-and-fashion#:~:text=The%20different%20types%20of%20recycled%20fashion&text=Here%20are%20three%20of%20the,fashion%2C%20creatively%2C%20by%20hand.
Indonesia Fashion Trend. (2022). Co-Exist 23-24. Indonesia Fashion Trend.
Janigo, K. A., Wu, J., & DeLong, M. (2017). Redesigning Fashion: An Analysis and Categorization of Women’s Clothing Upcycling Behavior. Fashion Practice, 9(2), 254–279. https://doi.org/10.1080/17569370.2017.1314114
Khatib, H. (2020, November 26). Why designers are using deadstock and leftover fabrics now more than ever before [Fashion]. Vogue India. https://www.vogue.in/fashion/content/why-designers-are-using-deadstock-and-leftover-fabrics-more-than-ever-before
Leonas, K. K. (2017). The Use of Recycled Fibers in Fashion and Home Products. Dalam S. S. Muthu (Ed.), Textiles and Clothing Sustainability (hlm. 55–77). Springer Singapore. https://doi.org/10.1007/978-981-10-2146-6_2
Napier, E., & Sanguineti, F. (2018). Fashion Merchandisers’ Slash and Burn Dilemma: A Consequence of Over Production and Excessive Waste? Rutgers Business Review, 3(2). https://ssrn.com/abstract=3289411
Sass, C. J. (t.t.). Recycling Your Fashion for a Better Future. Impacting our Future. https://www.impactingourfuture.com/sustainable-living/recycling-your-fashion-for-a-better-future/
Woodward, S. (2009). The Myth of Street Style. Fashion Theory, 13(1), 83–102. https://doi.org/10,2752/175174109X381355

